Showing posts with label BPRD. Show all posts
Showing posts with label BPRD. Show all posts

Thursday, August 19, 2010

BPRD: The Warning #4 cover inks over Mignola

The small Johann figure in the lower left corner was almost eliminated in the inks. Mike put it in there as a joke, but didn't intend for it to survive to the final version. I was happy when our cajoling worked and Mike reluctantly agreed that it'd be okay to leave it in.

Tuesday, August 17, 2010

BPRD: The Warning #2 cover inks over Mignola

Lots of crosshatching on this one. Dave Stewart's coloring really added a layer of creepiness.



Tuesday, August 10, 2010

Monday, July 19, 2010

Sunday, July 18, 2010

BPRD: The Black Goddess #4 cover

Mike Mignola's thumbnail sketch & notes, followed by my sketches, pencils & inks, then Dave Stewart's colors.





Wednesday, April 28, 2010

BPRD: The Warning #3 cover inks over Mignola

I sure do like inking Mike Mignola's pencils. This series was published in 2008.



Thursday, December 3, 2009

BPRD: The Warning #1 cover

Mike Mignola thinks he can't draw women.  I agree with him on many things but he couldn't be more wrong about this.  But that's why he did just a rough sketch for Liz on this cover and asked me to finish her when I did the inks.


Wednesday, November 11, 2009

BPRD: The Black Goddess #3 cover sketches

The new BPRD Black Goddess trade paperback is out.  Check it out, it's a terrific book. They included a nice scan of the pencils for this cover but none of the sketches I sent them so  here they are:







Friday, September 11, 2009

BPRD: The Black Goddess #1 cover







Mike Mignola's thumbnail sketch and notes.







My first crack at the figures.











Pencils for the layout with the big Liz head.












Black areas added with a big marker. This is still an 8.5 x 11" layout, not the final board.










The 11 x 17" pencils.  Mike decided to drop the title and UPC boxes.






And the inks.

Sunday, May 17, 2009

BPRD: The Black Goddess #2 cover





The evolution of a cover, from Mike Mignola's sketch to intermediate layouts to final pencils and inks.  The three panels at the bottom were dropped when they didn't work on the cover of #1.  I liked them but Mike thought they were getting in the way.